Podcast, NEW YORK CITY's INDIE ROCK MAGAZINE, NEW YORK CITY ROCK MAGAZINE, NEW YORK CITY ROCK SCENE, ROCK FROM nyc, ROCK FROM NEW YORK CITY, NEW YORK CITY ROCK, ROCK IN NEW YORK CITY, NYC INDIE ROCK BANDS FROM NEW YORK, BEST BANDS FROM NYC
One could, if one were so inclined, spend a a good SXSW exclusively on South Congress: It's always a little tricky to get this schedule, but here is what they've got going on for SXSan Jose this year, definitely free, definitely worthwhile. Just across the street you've got your Music By the Slice happening, this year with Brazos (above) playing an early Thursday set + dozens of other excellent bands, no wristband, no RSVP, no problem. Guero's has the Boxing Lesson, My Education, Dan Dyer, Suzanna Choffel, and many more for their day parties, full lineup right here. Of course the Continental has a full slate. Yard Dog gallery always packs in some weird and wonderful bands, like these, plus Friday they have the Bloodshot Records day party, no badge, no wristband, and no shortage of Exene Cervenka. As the Austin Motel says, so close yet so far out...
A dusty codebook of journalistic ethics I found recommends that I disclose the following: the Deli Austin editor had a hand in putting together the Frog Music Licensing showcase, but even so, the all-local, stellar lineup (below), the killer venue (Ghost Room), and the price (free) combine to require that you spend part of your Tuesday there; for the other part, of course, you'll be at the Deli-sponsored Music Tech Mashup at Rusty Spurs, awed by the three stages, the emerging technologies, and its own extensive and none-too-shabby lineup.
The Deli this year will sponsor two parties during SXSW:
MUSIC-TECH MASHUP PARTY!
The Music Tech Mashup Showcase is a two day/three stages event during SXSW's transition from Interactive Week to Music Week. Featuring a ton of great bands, brands, and emerging new technologies, the Mashup party celebrates the opportunities presented through the convergence of these industries. Hosted by Shinobi Ninja and Coast to Coast Models & Events and presented by GreenShoeLace, HunnyPot, The Deli Mag and Planet Ill, this showcase will assemble the movers and shakers of these converging fields.
Artist shortlist: Shinobi Ninja, Vaxhaul Broadcast, McAlister Drive, Bamboo Shoots.
The Deli Magazine NY and CitizenMusic have teamed up to bring some of the best Alt Rock bands from New York to Austin for South By Southwest 2010! "NYC in ATX" will take place on Thursday, March 18, at Hyde Park Bar and Grill (South Location).
Music will begin prompty at 6pm!
Here's the kick-ass line up! 6.00: Blackbells
6:50: New Madrid
7:40: The Shake
8:30: Deadbeat Darling
9.20: Black Taxi
And, to make it rock even harder, it's FREE and ALL AGES. So, if you're heading down to SXSW or if you're already in Austin, come experience some of the greatest rock n roll, and best french fries [so we've been told] New York City has to offer!
Alan Palomo, aka Neon Indian, has unveiled his first new track since the release of the much-acclaimed Psychic Chasms: "Sleep Paralysist", recorded with Chris Taylor of Grizzly Bear, is now available for download at Green Label Sound. You'll also have several opportunities to check him out live if you happen to be an Austin-based or Austin-bound individual: Neon Indian is as busy as everyone else this SXSW, playing the Terrorbird/Force Field gig, the Pitchfork gig (which makes sense, since Pitchfork gets the assist in launching Neon Indian), the Friendly Fire gig at Club de Ville (excellent venue) and Mess With Texas 4, a huge hoedown on East 6th that also features Gwar, Crystal Antlers, and Billy Bragg - reason enough.
It was Whitman (pictured above, photo by Jay West) who first pointed out to me that Free Beer Needs Be Drank: how true, how true. There's 1000 of 'em (Lone Stars, of course) due to the first arrivals each day at the Six Stages Over Texas Block Party, taking place amidst the SXSW madness. The shows benefit the victims of the Haiti and Chile earthquakes and feature massive numbers of Austin bands, so many in fact that I can't even begin. Just trust us. Or check the link.
Deli writer Ellen Green recently tracked down our Year End Poll grand champions STEREO IS A LIE for a quick Q&A. SIAL plays the Ghost Room this Friday (3/5) along with an all-local lineup of New Roman Times, Sad Accordions, The Distant Seconds, and DJ Parklife. And here's what STEREO IS A LIE had to say...
So, you have an album coming out.How was it working with Chris Cline?
We've been tracking the album on and off for the past seven months, but we'll be completely wrapped up next week. It has taken a little longer than we thought it would, but we wanted to explore every possible avenue, leaving no stone unturned so to speak. We've used every mic imaginable, smashed guitars, plugged in as many amplifiers at one time as we possibly could, learned new instruments etc. Finally, what we're left with are ten songs that we feel, capture the band. Chris Cline (...Trail Of Dead, The Society Of Rockets, Explosions in the Sky, etc.) is going to mix the record, so that's really the next step. Chris is one of the few people outside of the band that we trust to put the same amount of love into the record that we have, so we're very excited to be working with him.
When is the album due out?
It'll definitely be this year, but we don't have an exact release date just yet. I'm sure it would just change anyway, so I don't want to tell you any fibs.
What influenced the music (ie life, kids, other music, politics) for this album?
Lyrically there's a lot of social commentary and the music certainly reflects that as well. It's hard to ignore the rate at which the world falls further into chaos everyday, but I mean why would you ignore that? I'd much rather make honest observations as opposed to churning out another distraction that helps anesthetize the masses.
What is the live show about?Tour plans?
Blood, sweat and beers. I guess maybe watching a SIAL show is a bit like taking a non-stop train journey. Although you may be familiar with your carriage's environment, the surroundings outside of that are constantly changing.
We'll definitely do a bit of touring to support the release. Now that the recording part of our lives is nearly finished for this record, we can shift some focus toward more shows, festivals and tours.
What is your Saturday night album?Sunday morning album?
I don't know, there isn't really an album I go for when I'm putting my lipstick on, doing my hair and getting ready to hit the town on a Saturday night. Hit shuffle and go I say! Sunday mornings are for sleeping, but if I have to listen to anything then it had better be sensitive to my hangover.
First concert you ever saw??Best concert?
The first concert I saw was The Mission at Newcastle City Hall, I think they were touring the Carved In Sand album. The best? That's way too tough to answer, there are just so many to choose from...Radiohead, Dubstar, Constantines, Suede, TVOTR, Longpigs, The Raveonettes, Suzanne Vega, BRMC, Ladytron, These Animal Men...the list goes on.
What are your/the band's musical influences?
There are countless influences, but definitely nothing we really lean towards, instead we prefer to subconsciously absorb everything and see what our brains spit out. We take from everything, be it a Renaissance piece by John Dunstable or Phil Collins 'In The Air' tonight. Nothing is out of bounds and nobody is safe.
Picking amongst the eight zillion happenings upcoming for SXSW, this one stands out right away: The Octopus Project will debut their "immersion experience" Hexadecagon for FREE on the Whole Foods rooftop, Friday, March 19th, 7:30 and 9:00 PM. Three of the best SXSW words apply here: No wristband necessary. What in the sweet beyond is Hexadecagon? In their own words: "The eight speakers will be set up in a circle surrounding the audience, who will in turn be surrounding us (the band), set up in the middle of the whole shebang with eight images projected overhead. With this setup in mind, we can send all or part of the music spinning around in a circle or jumping from point to point across the space, or put completely different elements in each speaker, putting you and us in the middle of a crazy array of sounds." There you have it; all I can say is I plan to be there.
The organizers of the Tech Mashup Party have selected the 3 artists that will play at their show in Austin during SXSW. The lucky ones are LA alt rock band Voxhaul Broadcast (in the picture), Austin indie rockers Red Leaves, and NYC singer Songwriter Dion Roy - congrats to them and thanks to all the bands that submitted through The Deli!
With lights low and stage bursting at the seams, T-Bird and the Breaks delivered a night full of deep funk and heavy soul, lighting up Antone’s dark stage and letting the old walls breathe a breath from its younger days. It’s hard not to think of the glory days of the “big band” when T-Bird and The Breaks hit the stage, T-Bird himself a talented, magnetic and charismatic song leader with a nine-person, symmetrically mirrored scale of soul machine occupying those forty square feet of plywood around him.T-Bird himself isn’t the only talented one, however, as the entire band was a cohesive group – horn section challenging the backup singers who are firing back like sexy, black-dressed sirens, horribly well choreographed in their dancing; drums and bass creating a smooth groove line while T-Bird and guitar hit a funky back-and-forth rapport.T-Bird and the Breaks are a fast, high energy engine that got the crowd moving around and got them there fast. The sound was contemporary rock and roll’s answer to the glory days of jazz and funk and soul --a revamped, remodelled classic car that takes the best of yesterday and today to make something brilliant and beautiful.The set was strong, the band was tight and in synch, and it was evident early on that the night wasn’t about an opening band and a closing band, but about talented musicians coming together and putting on a great show.
After T-Bird and the Breaks knocked the crowd down, the rock-tejano-conjunto hybridization of a jam band, Brownout, took the stage to pick everyone back up.Trumping T-Bird’s band in numbers by one, Brownout, with their menagerie of horns and various drums and guitars mixing up across the stage took the strong-silent approach in their set, rarely busting out the lyrical guns, and when voices were heard they were rarely in english. Not that I’m complaining. The best thing about Brownout, I think, is that I can’t place them.By that I mean I’ve never heard anything like the tight, talented, towering, trembling sound quaking out of their amplifiers.The band left me torn on whether to call is Psychedelic Conjunto, or Funk-Rock Tejano or some other juxtaposed genre I can’t even think of.What was certain, however, is that the crowd was moving from the very first guitar licks and didn’t stop for a moment.
Both T-Bird and the Breaks and Brownout have that sweet taste of Austin in their music, that kind of thing that doesn’t necessarily make sense on paper but sounds great in your heart.Strong sets from a couple of genre-bending big bands. Couldn’t ask for a better night out in Austin.
The White White Lights’ upcoming debut EP Medium Head Boy suggests the experimental indie rockers have what it takes to outshine their contemporaries. From eerie vocals to danceable rhythms, the band has deservingly catapulted into the spotlight already, receiving attention from sources such as SPIN and The Onion’s A.V. Club.
According to guitarist Deluxe Peroux, who at first said the band’s sound is like “Tom Waits sodomizing Blondie with a fuzz pedal,” Sonic Youth has had a major influence on the band. “Dirty was one of the first CDs I had. In starting this band, I wanted to get back to what I loved in my childhood. I wanted to feel like 12-year-old me could be proud of the music I’m making,” he said.
With a sound similar to the likes of not only Sonic Youth but also The Pixies and the Yeah Yeah Yeahs, lead singer Jenny Gacy drives the band’s tendency to make you crave more and more of the catchy yet haunting aura TWWL has to offer in their 6 track debut, which covers topics including seduction, loneliness and aliens. Album highlight (and TWWL’s favorite to play) “Space Invaders” has the sort of synthesizing energy that is bound to spread like wildfire, while “It’s Cold Here in Japan” is a slow and vulnerable ballad held together by a xylophonic backbone.
Together since 2008, the band has had the chance to play live many times in their home city, although this Saturday’s show at Emo’s will be their first with a release in hand.
“We’ve had the fortune of playing at most major Austin rock venues like The Parish, Mohawk, Stubb’s, Emo’s (inside and outside), Beauty Bar, and even non-traditional spaces like Blanton Museum,” Gacy said. “We played our first shows at Beauty Bar and we still love the feeling of playing in smaller spaces as close to the audience as possible. Emo’s is great in that sense; you feel very connected to the audience.”
On the brink of releasing Medium Head Boy this Saturday, February 27, TWWL have a number of shows lined up, including a few spots during SXSW. The four-piece are also set to roll out a full-length album in April, so it’s safe to say that TWWL will definitely be a band to watch this year.
With the level of passion and self-described honesty that speaks through the new record, TWWL could just be the next big thing out of Austin, according to Gacy.
“We’re honest. We keep our recordings as live as possible; we don’t mask our imperfections. We glorify them.”
Check out The White White Lights this Saturday, February 27 at Emo’s and see what all the hype is about.
Any band that claims Gillian Welch and Avro Part as influences is bound to be unusual; but unusual by itself is not so exciting: what Balmorhea continues to do is mix their unusual with extraordinarily compelling. Hanging descriptive words on their wordless creations feels almost tacky…but that’s our job.
Steady as clockwork but far more interesting, Balmorhea is releasing their now fourth early-year album of delicate, emotional, occasionally prickly instrumental tracks. (Previously: Balmorhea, April 2007, Rivers Arms, February 2008, All is Wild, All is Silent, March, 2009.) This one drops - does a Balmorhea record drop? Let’s say it floats - on Western Vinyl this Feb. 23rd. We’ll all be expecting another early 2011. The first, and most obvious quality of any Balmorhea record, for those of us on a steady diet of indie pop, is the lack of vocals: you’re launched into a completely different headspace by Constellations, not so much guided by the hand to a particular mood as you are given a huge space in which to wander free. Their compositions have a strange way of feeling shorter than they are, because you immediately lose track of both time and your immediate surroundings. (Or, anyway, some of us do – maybe we were unhinged to begin with.)
They are following in the footsteps of many of their Icelandic contemporaries in doing away with the distinction between classical and pop. It’s dark, it’s haunting, it has occasional vestiges of country – or, maybe, western is the better word, a soundtrack to a cold winter in Monument Valley.
It’s not, of course, a commercial sound; there is no single, but for me there’s an early standout track: “On the Weight of Night”, coming toward the end of the album, patiently builds to a glowing, expansive climax; it is the sound of the moment when All is Revealed. For a band that at first listen seems subdued, they inspire some powerful associations: biblical, abstract, apocalyptic, primal. It’s as if Balmorhea backtracked to a time before rock & blues and followed a different musical evolutionary path: there is some recognizable DNA in there, but this is a new creature altogether. Constellations will put you somewhere beyond.
The band – Michael Muller and the distractingly named Rob Lowe backed by Aisha Burns, Travis Chapman, Nicole Kern, Mike Bell, Bruce Blay and Taylor Tehan – will head out in support of this one shortly after release, and return for SXSW. No word as of yet on a Austin release party…
