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Alt Rock





Peach Tree Rascals share video for new single "Things Won't Go My Way"

These times of isolation have not stopped Peach Tree Rascals from putting out new work, as they've released their new single "Things Won't Go My Way", along with its music video. The song puts into words feelings of self-doubt, the transitions of life and the dangers they present, and how disillusionment can get in the way of aspiration. Its music video channels The Truman Show, with the band acting as characters beaten by misfortune after misfortune, all of which brings them together at the end. Take a look at the video for "Things Won't Go My Way" below. - Will Sisskind

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Austin Bullock discharges garage rock in new record "Wasted 8"

Rhode Island may be small, but it is big with talent, and that is evident in artists such as Austin Bullock, who detonates inside your speakers with sick bravado. The Providence resident recently released Wasted 8, an album that pays tribute to garage rock and all its gritty complexities and simplicities. Tracks like “Don’t Be Like That” are easy-going in the verses, featuring cheery acoustic guitar strums that slowly disappear into the distortion that permeates the choruses. “Halo” features a slow-slithering bassline underneath hot vocals and psych-tinged ambiances that anesthetize away worries. “Not for Sale” accelerates into a beautiful mix of ‘70s punk and early ‘00s revival: past meets present and it rocks. The record has fight in it and that we need right now indeed; stream “Not for Sale” below for a trip well worth the time. - Rene Cobar





Impossible Colors take flight with new video “Gravity”

Nyack, NY emo three-piece Impossible Colors hit their stride on “Gravity,” laying down an uplifting triumphant track, with visuals apropos. Driving electric guitar arpeggios and concise, sprung clock drumming propel the song forward, underscoring an imaginative video of a rock mission-control room and their attempts to launch a cardboard rocket into space. The entire production creatively illustrates the song's lyricism, which draws comparisons between long distance relationships and a lost astronaut, in a manner that incorporates both a mature worldview and a childlike sincerity, highlighting the emotive nature of Impossible Color’s sound without becoming burdened by the often tough reality of modern romance. Moreover, it’s an excellent visual and musical palette cleanser if you’re currently feeling distant from those close to you — give it a watch below, and check out their recently released full length Picture Erased.

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Farmertan presents the electric "Muse of Fire, Act 1"

Welcome to Muse of Fire, Act 1, the first installment of Connecticut group Farmertan’s latest album. This first entry is charged-up and bursting at its seams with gritty tunes, dirty, so easy to enjoy. “Automation” contrasts crisp-clean electric guitar riffs ascending against a sonic canvas of energizing distortion. “Mud Season” showcases vocals that have more than a tinge of spice, a type of been-there-done-that attitude that fits with the fortitude of the music. The drums on the track erupt, lead, and accompany the song’s guitar solo to its summit. “Sleepwalker” keeps the intensity going and leans a bit indie with its reverb-heavy chorus lines and rich bass subtleties. This is a modern rock ‘n’ roll record at its purest, introduced by a group of gents always prepared for the long haul. Stream “Mud Season” below and stay tuned for the next act from these CT artists. - Rene Cobar

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Strange Majik recall classic rock with perfect hindsight on "20/20"

David Pattillo is something of a blues rock cult hero in New York City, but you could likely tell that from looking at him. Replete with hair well-below the shoulders and a flare for late 60s / early 70s fashion, his music under the moniker Strange Majik conjures up classic influences, which when channeled through a contemporary filter, become something else entirely that's wholly (and delightfully) weird. His latest offering 20/20 excels in this mishmash of past and present sounds, a psych-y, funky odyssey that reads like an alternate history Summer of Love wherein the public found out every batshit conspiracy theory of the time turned out to be true (as opposed to being declassified years later). And while Pattillo’s craft is in a five decade long tradition, his songwriting is very much of-the-times, which makes for an engaging cognitive dissonance — hearing Strange Majik groove under lyrics describing the breakbeat pace of modern living (“World On Fire”) and the surveillance state (“Whistleblower”) feels inherently anachronistic, a prediction of things yet to come hidden in dusty forgotten vinyl. Moreover, this combination of a modern worldview, a carefully curated mix of genera, and Pattillo's strange bent succeeds in making a rock and roll record that feels truly contemporary, a task that's no small feat these days. Play it loud, below. —Connor Beckett McInerney, photo by Ky DiGregorio 

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