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Funk





A Deli Premiere: "Jimmy Rover" by Fire in the Field

For listeners familiar with Fire in the Field’s funky and upbeat style, a sonic treat awaits, surprisingly tame but deeply wild. “Jimmy Rover” showcases the band’s appreciation for the slow-cooking nature of the blues as it lets its normally dance-inducing guitar riffs build slowly, ripping on occasion to smooth vocals from lead singer Mike Moore who is committed to storytelling. As the guitar solos shred, at high-voltage, one is reminded of the band’s old-school passion and youthful energy: Fire in the Field has a strong essence of classic rock. During the song’s final breakdown, the bass and drums lock-in even in their euphoric state to complement the song, which echoes the beauty and grit of Chicago blues. Recorded, engineered, mixed, and mastered by Jay Frigoletto at Oak Hill Music in Brookline, NH, this latest single by the band offers something wholly different from its usual style, but remains a track that fits perfectly into the band’s archives. We are thrilled to premiere “Jimmy Rover” for you below; catch Fire in the Field at Bishop’s Lounge in Northampton, MA, on Dec 14th. - Rene Cobar





Eggy oozes style in new live record, plays Orlando's 12.14

Almost as if you were there, well, you kind of are, the music of New Haven Connecticut’s Eggy oozes out of your preferred listening device, rich and runny in its latest record Live at Nectar’s 11​.​1​.​19. The band calmly and confidently plays signature tracks form its latest record Watercolor Days: sweet funk songs like “Graceless” and “Golden Gate Dancer” create an atmosphere that is both fun and intimate; surely Nectar’s, the music venue in Burlington, VT, and its crowd did not mind. The production, as is typical for Eggy’s live albums, is excellent, and one can fully immerse in the music without ever feeling detached from the live setting. We recommend this latest entry for fans of the jam-band feel this group deploys. The band is on tour, but it returns to Orlando’s in Burlington, VT, on December 14th for those that want to experience the fun live. Stream “In It For The Ride” below and dive right into the moment. - Rene Cobar, photo by Miles Hurley





Funk

Time: 
9:30 pm
Band name: 
Francis Aud
FULL Artist Facebook address (http://...): 
https://www.facebook.com/FrancisAudMusic/
Venue name: 
Arlene's Grocery
Band email: 
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Happy Birthday, Deli Magazine New England!

There are so many things to be grateful for today: family, friends, good food, good times. Here at Deli New England, we are grateful for one more thing, and that is the opportunity to cover New England’s always-thriving music scene. For ten years, we have been privileged to witness the rise of talented artists from Connecticut’s New York border to Maine’s Atlantic seaboard. Since the birth of this branch, on this date ten years ago, we have had our many editors explore with delight hip-hop acts, indie-pop darlings, rock-punks, and so much more. Below you will find nine posts from different editors of this magazine over the last ten years. A big thank you to Meghan Chiampa for kicking off this journey and letting me know of the special occasion at hand. Happy holidays and happy reading! - Rene Cobar

Meghan Chiampa on Brendan Hogan (2010)

Chrissy Prisco on Boy Without God (2011)

Dean Shakked on High Pop (2012)

Jake Reed on Deja Carr (2013)

Daniel McMahon on Here We Just Dream (2014)

Zach Weg on And the Kids (2015)

Olivia Sisinni on Dreamtigers (2016)

Cameron Carr on Clairo (2017)

Lilly Milman on People Like You (2018)





Julia Jacklin Seizes Full Moon Folk Magic at the Parish

 

Julia Jacklin headlined at The Parish on Saturday with Christian Lee Hutson opening the show. These two folk-playing song-writing masters seized the full moon energy to entrance the audience in joviality despite their somber songs.

 

Christian Lee Hutson played a solo set on the acoustic guitar, most notably was his rendition of “I Just Can't Fucking Do It Anymore.” A gentleman dressed in all black with a white collar, he countered the melancholy vibes of his lyrics with playful interactions with the audience between songs. 

 

Julia Jacklin began her set with “Body” from her latest album crushing, released earlier this year. She appears as a humble angel, a siren from Sydney in a vintage plaid skirt and her hair clipped behind her ear. Her humility and humor complement her striking vulnerability. She shares with the audience that her music career started with her performing Evanescence’s “Wake Me Up Inside” at the high school talent show. 

 

The band moved into “Don’t Know How to Keep Loving You.” They’ve been saving the disco ball for this moment. The dancing spinning lights illuminate the room with blues and greens as soon as the electric guitar introduces the melody. The lights lighten the punch of the convicting lyrics: “don’t know how to keep loving you/ now that I know you so well.” Be careful thinking about that one. 

 

She encored with “Comfort” and I kind of resented her for it because I didn’t want to cry, but this song...the way her voice trembles, the slow soft chord progressions, the words she strings together and how they all coalesce to gently assault your heart with the truth. A song of affirmations following the pain of breaking up, Julia sings, “You’ll be okay. You’ll be all right. You’ll get well soon and sleep through the night,” and in the next verse, “He’s gonna thrive. He’ll be just fine.” It’s truly a positive song dressed in an achy tone. No matter where you are, you’re not alone in pain. Even angels like Julia Jacklin have experienced heart ache as part of our human condition, and her art aids to heal herself but also those who listen.  

 

Thank you, Julia, for your vulnerable display of affection and art. You inspire tender hearts to trust and stay tender even after they’ve been bruised. 

 

-Melissa Green 

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