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Punk





NOBUNNY Plays Leo´s Music Club - 10/22

We´re excited to announce the Oakland return of NOBUNNY! This legendary band will be playing Leo´s Music Club on October 22nd. Make sure you wear your dancing shoes and enjoy NOBUNNY´s high energy, super fun live show!

Always clad in a fuzzy (and mildly psychotic-looking) rabbit mask and often wearing little else, NOBUNNY is a one-man pop-punk onslaught whose simple, infectiously hooky tunes and lusty outlook have earned comparisons to the Ramones, Hasil Adkins, and the Cramps, and whose untamed (and sometimes bottomless) stage shows have led some to call him a cuddly version of G.G. Allin. NOBUNNY is the alter ego of Justin Champlin, who was born and raised in Tucson, Arizona, and relocated to San Francisco, California.Champlin first made a name for himself as the drummer with garage punks the Okmoniks and later co-founded the Sneaky Pinks, a two-man punk-pop party machine.

Thursday, October 22nd NOBUNNY @ LEO'S MUSIC CLUB 5447 Telegraph Ave. Oakland, CA 8pm // $13 // 18+ TICKETS

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Toronto post-hardcore band Greys returns from CMJ + announces 7" "Repulsion"

Of the small contingent of Toronto artists that traveled to NYC last week to participate in the CMJ Music Marathon, Greys was by far the loudest - and ended up also getting the most attention. The quartet plays post-hardcore unapologetically inspired to legendary band Fugazi (one of their songs is named after the DC band's guitarist Guy Picciotto). They've been around since 2011 and have a European tour, two EPs and two singles under their belt. A new 7", entitled "Repulsion." will be released on October 30th. Check out their powerful single "If Anything," streaming below.

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Bundles Release Two Tracks Off Upcoming Record

It's been a loooong time since I've been in a mosh pit, but Bundles' new tunes might change that for me in the not-so-distant future. The band recently released two blistering singles off of their upcoming (as-of-yet untitled) EP, and they're about as rowdy and raucous as anyone could hope for. "Dead Reckoning" has a great straight-forward main riff, with choruses that just make you want to chuck PBR and Narragansett cans on stage and shout at the top of your lungs. "Prisoner's Dilemma" delivers another powerful riff, this time with more rapid chord changes and a lead vocal that gives this song a slight Damn Personals feel.

Though the band have yet to set a release date for the material, you can catch them performing these songs live in a few weeks. October 23 they'll be at Cuisine en Locale/ONCE in Somerville, MA and November 25 (Thanksgiving eve!) in Quincy, MA at Quincy Sons of Italy.

For more info on the band, check out their Facebook page.

-Dan McMahon (@dmcmhn) 

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Album review: Bloodbirds - MMXIII

(Photo by Todd Zimmer)
 
Twenty-year veterans of the LFK/KC underground music scene, Mike and Brooke Tuley have played with a number of bands familiar to local rock audiences. Best known for their time with Ad Astra Per Aspera, they established Bloodbirds in 2011 with the intent of cutting loose and shaking things up.
 
And they have. Dense, dark—equal parts Fun House (Stooges), Spacemen 3 and Black Angels—Bloodbirds’ newest release MMXIII may also be their swan song, given the departure of bassist Anna St. Louis for Chicago. In some ways, it is St. Louis whose playing defines the band. Forward in the mix, and by no means shy, St. Louis plays with punchy authority, reminding of some of the other great “lead” bass players like Jon Entwistle and Peter Hook. Brooke Tuley is a powerful drummer; her parts are simple, but dead-on. She locks perfectly with St. Louis.  Mike Tuley plays on top of their aggressive foundation, a canvas for his arsenal of shimmering hammer-ons (“Modern Sympathy”), punishing riffs (“Did You Say”), and sometime dulcet tones (the comparatively clean Blue Mask jangle of “Convalesce”). Depending on the song, his sound can be metal harrowing or as ropey, surf-psychedelic as the theme from Repo Man.
 
About those songs: they’re functional, gripping, emotional soundscapes, not necessarily bound by pop hook conventions. They hit you with the shape-shift intensity of vintage heavy rock like Blue Cheer or modern darkness merchants like Black Rebel Motorcycle Club. Which is to say the focus here is not necessarily on hum-ability. Even allowing for that, it would be nice if the vocals had a dash less delay density and a bit more clarity in the mix. Lyrics and vocals on MMXIII are more about mood than meaning (or mood as meaning), stray lyrics emerging from the driving murk to arrest your conscious mind here and again.
 
The tough thump of “No Trains Coming Through” totally belies the song’s title. With Roky’s manic intensity, the song “Did You Say” features the ominous, repeated line “Did you say you want the end to come right now?” And the music echoes the sentiment. “Round Moon’s” cascade of guitar features some of Tuley’s most expressive fretwork, summoning up the incantations of bands like the Icarus Line and the guitar howl of the Stooges’ Ron Asheton. For an album that emphasizes a certain heavy-osity, MMXIII manages to shift mood and tone effectively.
 
Brothers and sisters, the Bloodbirds can make a show-stopping addition to anybody’s Psych Fest. Live shows may be few and far between, given the departure of St. Louis, but they have reunited in support of MMXIII occasionally and the members remain close friends and open to the odd gig. Go catch them if you have the chance.
 
—Steve Wilson
 

 





The Deli's NYC issue #44 is online!

Deli Readers,

I know, it seems like we put our latest issue out just the other day - but no, we haven't switched to monthly. It's just that the fall in NYC is a busy time for us, and with CMJ week and our NYC Synth Expo (linked to BEMF) coming up, there's a lot to write about.

Here's our 44th issue of The Deli NYC (one of our finest!). Check out cover band Stolen Jars, they'll be performing at one of the (several) Deli CMJ 2015 shows!

READ THE DELI NYC'S 44TH ISSUE HERE!

The Deli's Staff

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