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-- The 60's --
The 13th Floor Elevators
Janis Joplin
-- The 70's --
Stevie Ray Vaughan
Asleep at the Wheel
Willie Nelson
The Skunks
Townes Van Zandt
Guy Clark
Jerry Jeff Walker
-- The 80's --
The Dicks
Marcia Ball
The Butthole Surfers
Joe Ely
The Fabulous Thunderbirds
Nanci Griffith
-- The 90's --
Lucinda Williams
Arc Angels
Shawn Colvin
Alejandro Escovedo
Fastball
Jimmie Dale Gilmore
The Gourds
Robert Earl Keen
James McMurtry
Toni Price
Kelly Willis
-- The 00's --
Okkervil River
The American Analog Set
...Trail of Dead
Explosions in the Sky
Patty Griffin
Sara Hickman
I Love You But I've Chosen...
The Octopus Project
Okkervil River
Bruce Robison
Spoon
The Sword
What Made Milwaukee...
   


This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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Live review: Magic Man at the Sinclair, 12.19.2014

This past Friday, I was able to check out Magic Man’s sold-out holiday party at the Sinclair in Cambridge, MA. Despite the fact that Magic Man have achieved some serious success this past year (playing Boston Calling, having their first headlining tour, getting signed to Columbia records), I still consider them a local band and will probably forever) be compelled to write reviews of their shows. This is a band that always manages to put on great live performances, and Friday night certainly was no exception - they seemed particularly excited to be playing a show near their hometown. Dressed in coordinated red and white shirts (and accompanied by a drum kit decked-out in Christmas lights), the band was prepared to embrace the holiday party vibe. Lead singer Alex Caplow did a great job working the crowd, inviting the everyone to sing along on multiple songs. Throughout the entire set, I don’t think I saw the smile leave his face, or the faces of anyone else in attendance. The band even threw in a cover of “All I Want for Christmas is You”, augmented by the massive bass lines and pure on-stage joy that come standard with every Magic Man concert. - Dan McMahon (@dmcmhn)

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...and the award for “Breaking the BMAs” Goes to: Tigerman WOAH

To all of the faithful Deli readers, I apologize for the tardiness of this post, but between recovering from Sunday’s Boston Music Awards festivities and wrestling with some website issues, I have been unable to publish this article until now. I suppose the delay was a good thing though, because my head is finally clear enough to type out a few sentences about all that went down (or didn't go down) at the annual Boston music scene celebration. I struggled a bit in deciding the angle that I would take for this piece, considering most people just give a rote list of winners, peppered with a few choice adjectives. I've chosen to forego that list (you can find it on The Boston Globe or BMA website anyway), opting instead to give a one-sentence recap of the ceremonies, followed by a far more entertaining account of the best performance of the evening.   

The recap: I wasn't surprised by too much at the awards (Will Dailey and Bad Rabbits receiving more hardware was hardly a shocker), but I was excited to see The Sinclair take home Best Live Music Venue honors.

The story: The highlight of the night for me was Tigerman WOAH’s performance. They were slated to play one of the last sets of the evening, so I figured the BMA organizers and the Revere Hotel were anticipating the rowdy, awesome debauchery that comes standard with all Tigerman gigs, but I guess I was assuming too much. Halfway into their set, the Revere pulled the plug on the band due to numerous people throwing beers up, down and all around the stage. At least I think that was the reason--maybe they didn’t approve of everyone in the room shouting all of the lyrics to Tigerman’s songs? Apparently something about Tigerman’s genuine intensity, and the raucous enthusiasm and revelry that accompany their shows, didn’t align with the polished aesthetic of the hotel. Regardless, the band seemed to be having a good time at the show, passing around a bottle of bourbon among themselves and any audience member within arm’s reach of the stage.

Even with the abrupt stop their set, two things are indisputable: Tigerman always puts on one heck of a performance, and the BMA committee knows how to throw one heck of a party. - Dan McMahon (@dmcmhn), photoby Natasha Moustache @iamMoustache

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Elephants release LP "Strange Waves" tomorrow (12.16)

Tomorrow, December 16, Boston Indie Rockers Elephants will be releasing their latest full-length album, "Strange Waves." The release comes about a year and a half after their self-titled first record. Their sophomore offering shows a lot more musical control, while still holding tight to their lo-fi preferences. It seems the band has finally found their sound (spoiler alert: lots of fuzzy guitars) and has figured exactly how to project it. The record has a great flow to it--all of the songs are very cohesive and compliment each other nicely. I was able to check a preview of the album and I particularly drawn to the fifth track, “Moving Pictures.” The song has a Dinosaur Jr.-ish feel with great guitar riffs and a smooth vocal performance from singer Lauren Garant. You can find some of these elements also in "The Turtles Were Right," the first single unveiled by the band, streaming below.

For updates about future shows and other band news, check out Elephants’ Facebook page. - Dan McMahon

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Boston's Italian Indie-Pop Ensemble Tredici Bacci Release Cover of "The Most Beautiful Song Ever"

Tredici Bacci's vocalist has one of the most thankless lead singing jobs. Her rhythm vocals take no more of the spotlight than the violins, but alternate beautifully between sustained soprano and a stone skipping over fake Italian waters. Yeah (sorry I blew your cover), Tredici Bacci is no more Italian than Jesse Camp was homeless. But who cares? They're classically-trained musicians performing orchestral pop songs that, somehow, get the young people dancing. Today's cover of what bandleader Simon Hanes called "the most beautiful song in the world," Ennio Morricone's "Metti Una Sera A Cena" is perfect seduction music.

 

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IN HEAT and Bugs and Rats Tour Starts Tonight in Providence

The first time I saw Boston's excellent Bugs and Rats, Nick from How They Light Cigarettes in Prison told me they sound like Nirvana. I'd never have thought of it, but In Utero is a pretty close comparison.

Providence's In Heat is screaming angry metal with enough power to make even the old people in the pit move (don't confuse them with the In Heat who have a Facebook page, though). Tour starts tonight at OE BNB in Providence, with Boston's Abominable Skimask.


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