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deli cover
                                     


-- The 60's --
The 13th Floor Elevators
Janis Joplin
-- The 70's --
Stevie Ray Vaughan
Asleep at the Wheel
Willie Nelson
The Skunks
Townes Van Zandt
Guy Clark
Jerry Jeff Walker
-- The 80's --
The Dicks
Marcia Ball
The Butthole Surfers
Joe Ely
The Fabulous Thunderbirds
Nanci Griffith
-- The 90's --
Lucinda Williams
Arc Angels
Shawn Colvin
Alejandro Escovedo
Fastball
Jimmie Dale Gilmore
The Gourds
Robert Earl Keen
James McMurtry
Toni Price
Kelly Willis
-- The 00's --
Okkervil River
The American Analog Set
...Trail of Dead
Explosions in the Sky
Patty Griffin
Sara Hickman
I Love You But I've Chosen...
The Octopus Project
Okkervil River
Bruce Robison
Spoon
The Sword
What Made Milwaukee...
   


This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


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Pachangacha lets the fuzz run freely on "WEIRDHEAD"

The volume pedal turned to the right on WEIRDHEAD’s cover should clue you in to one thing: Pachangacha’s latest release is going to be a loud album. A sea of fuzz is consistently present but doesn’t shroud the album’s other standout moments, like the unexpected falsetto on “Amphetamine” and the “Oh yeah!” hook on “Boobies,” which seems to be a concise way to explain how the band feels about them. Hooks are certainly a strong suit for the band, whether coming from the group’s vocalist, like on “Boobies,” or guitarist, such as on “Underneath Girl.” Put them on your playlist now and check out Pachangacha at their upcoming New England tour dates, listed below. – Jake Reed

3.26.14- The Bubble Bowl, New Britain CT
3.27.14- Great Scott, Allston, MA
4.10.14- Floor Music Lounge, Florence, MA
4.13.14. Amherst, MA (with The Weaks)

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Loupo experiments with the softer side of hip-hop

If your playlist is lacking something a little more relaxed, perfect for hanging with friends or a long drive, we recommend Montpelier’s Loupo. The hip-hop producer crafts beats stuffed with samples and the production tics necessary to make an instrumental track stand out without vocals from a featured artist. On “GottaGo!!” he turns a vocal sample into its own wah-wahing instrument, and on his latest, “GritZZ,” guitar and drum loops cycle as clanking piano keys reverberate into the distance. Of course, Loupo’s experimental creations are ripe for the picking by up-and-coming rappers – take a listen to Notation and Chel Strong’s “To The Sky,” a song released earlier this month that was helmed by the Vermont producer. – Jake Reed

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d's "house sounds" shrouded in mystery

Not much information is offered about house sounds, a short gem of an EP released to Bandcamp by d (aka Danielle Capalbo). The lo-fi album features minimal production and instrumentation, mostly relying on guitar and Capalbo’s never-showy voice. Its six short songs are as beautiful as they are muddled, her harmonies often hidden beneath the thick reverb of the guitar. house sounds appears to be an intended accompaniment to “Waking Up: A Zine About Self-Discovery,” a literary magazine Capalbo created with her own writing and photography, which can be purchased on d’s Bandcamp now. – Jake Reed

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Glass Arrowhead gets serious on "The Beginning"

Glass Arrowhead explains The Beginning as an attempt to break into new, “more serious” territory after primarily pumping out trap and dubstep jams. The result is breezy and light while still showing off his skills on the boards. For instance, “C++ Shells” melds a bubbly synth with flute flourishes and drums that drop in and out with ease. The collection’s more serious direction was inspired by “Goodbye Again,” a slow-moving ambient piece, accented by an 8-bit synth that grows more present and more distorted as it moves forward. When the drums enter in the song’s final two minutes, it becomes something of a dance-floor stomper – albeit not something you might hear in your standard Top 40 DJ set. We’ll be looking forward to more from this guy in the future. – Jake Reed 

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Nautica releases "winter" EP

Recorded in a Vermont basement in January, Nautica’s winter is a charmingly lo-fi set. The four-track EP begins with the fuzzy opening riff of “All I Can Be,” which works its way into a catchy, distortion-heavy frenzy of a love song. The trio shows off a softer side on “Whatever You Want to Call It, James,” accompanying the song’s chorus with falsetto harmonies – before immediately turning the guitar effect pedals back on. A recent post on the band's Facebook page revealed that plans for a short tour later this month have been scrapped, but you can check out the Burlington up-and-comers at the Elks Lodge in Cambridge, MA, on March 23. – Jake Reed

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Ladyhips releases B-side, previews upcoming EP

Hartford funk-pop-jazz quintet Ladyhips started off the year with two new releases for its loyal fans – with even more soon to come. The first is “The Crows,” a B-side from 2012’s Best Friends that deviates from the upbeat sound that encapsulated the album. The track is slow-burning, with lyrics to match its apocalyptic, world-is-ending climax: “It’s scary to think that the sand in our hands is fading away,” sings vocalist Sean Rubin, later quipping, “We cannot be trusted … we must stop our beasts from getting the best of us.” The band's latest release came earlier this month in the form of a music video for “In the Ballroom,” shot in a Connecticut farm that makes for an unorthodox but beautiful setting for a performance. “In the Ballroom” is the first of two videos that will preview the band’s upcoming Live at Farmtone EP, set for release on April 22, and given what we’ve seen so far, you’ll want to mark that date on your calendar. – Jake Reed

 


In the Ballroom from Ladyhips on Vimeo.

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Providence's The Range heads to SXSW

Providence's The Range (aka James Hinton) released his latest album, Nonfiction, on the UK label Donky Pitch last October, gaining him recognition both in the States and across the pond. The album's weirdest moments are its best: check out the dialogue that acts as a rap on "Metal Swing" and the slow ascent from spacious introduction to full-on electro jam. On March 25, he will release the EP Panasonic, but not before he makes the most out of a four-day stay in Austin for SXSW. Check out the full list of The Range’s SXSW stops above.  – Jake Reed

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Sexy Girls gets to work on second album

Three years ago, Alex Whitelaw left the band that he was in and decided to start his own surf rock solo project called Sexy Girls. His efforts culminated in a nine-song album called The Collection, which was released on Bandcamp in 2012. "Tell Me" should give you a perfect taste of the nonchalant, summery sound that defines the album.

Today, Sexy Girls is a four-piece indie rock band comprised of Steve Kerr (drums), Sam Hatch (guitar), Ben Semeta (bass), and Whitelaw (vocals, rhythm guitar) – but Whitelaw still writes all the music. The Amherst, MA band is currently working on a new album called Satan’s Hands which they hope to release in August, and will perform at the 13th Floor Music Lounge in Florence, MA on April 24. – Mary Reines

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