Artist of the Month
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-- The 60's --
The 13th Floor Elevators
Janis Joplin
-- The 70's --
Stevie Ray Vaughan
Asleep at the Wheel
Willie Nelson
The Skunks
Townes Van Zandt
Guy Clark
Jerry Jeff Walker
-- The 80's --
The Dicks
Marcia Ball
The Butthole Surfers
Joe Ely
The Fabulous Thunderbirds
Nanci Griffith
-- The 90's --
Lucinda Williams
Arc Angels
Shawn Colvin
Alejandro Escovedo
Jimmie Dale Gilmore
The Gourds
Robert Earl Keen
James McMurtry
Toni Price
Kelly Willis
-- The 00's --
Okkervil River
The American Analog Set
...Trail of Dead
Explosions in the Sky
Patty Griffin
Sara Hickman
I Love You But I've Chosen...
The Octopus Project
Okkervil River
Bruce Robison
The Sword
What Made Milwaukee...

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.

Go to the old Top 300 charts


scene blog


"A Smiling Parabola of Excitement" (cont'd)
- by Dan McMahon (@dmcmhn)

Deli: How did you guys land the opening gig at Boston Calling?


Jonah Furman: “They just emailed us with like one sentence & we were like ‘ok’. When I heard Tenacious D was playing, I was sold.”


D: Did you guys immediately accept, or did you deliberate about it at all? I know it's much more of a "corporate gig" than most of what the local Boston scene usually gets involved with.


JF:  “Yeah, it's definitely a little different for us...we just yeah accepted because it seemed fun and weird... we've played like over 250 shows at this point, so anything different is a big draw, for me at least. I mentally categorize this gig on par with playing at the Phoenix Hard Rock Cafe -- weird as f*** and fun & weird.”


D: When you first started playing, were you trying to achieve some success like this, or were you just trying to have a good time?


-JF: “Clueless as to the answer here. The only goal I remember having is wanting to play Great Scott & tour to California. We did both of those within like 6 months. so now it's all bonus points. I guess personally, I just wanna keep having varied (though hopefully positive) experiences.”


D: You've been over to Europe quite a bit recently--favorite part of any of those shows/travel? Any plans to return in the near future?


JF: “It was cool! I mean, talk about checkin something off the list. Never been over to most of those places, so it was cool to see that stuff. The Berlin Wall and all that. I assume we'll be back there at some point, but no plans at the moment. It was nice to see that the world is big & there are a butt load of people who are not you or anyone you know. Driving around America's prettier, though.”

D: 3 things you always need to bring with you on tour?


JF: “I personally travel real light. Have eliminated towel & sleeping bag. Trying to up my snack game on this next one. Become less of a lump. Would like to get more games for the gameboy, too. Oh, and a book I never read.”


D: Best place you've stopped for food on tour?


JF: “Flavor twists just taste better in Mississippi.”


D: Your new record, A Distant Fist Unclenching, has gotten a ton of great press recently--was releasing it around the time of the Boston Calling gig planned, or did the Boston Calling thing come up after the release date was decided? You guys must be excited to have all of your touring, the record and the Boston Calling gig coming together at the same time.


JF: “Uh, I think it was totally unrelated? I can't remember right now. Yeah, it's cool! I mean, it's funny with the band stuff because you just plan it all so far in advance...there's like this smiling parabola of excitement where getting the email is really exciting and then you forget about whatever it is for like 4 months and then the date approaches and you get excited again. What'd Tom Petty say? The waiiiiting is the boringest part. But yeah, glad to harvest these fruits this May.”


D: Have you noticed any increase in support for the band as a result of your recent successes? Has your Boston fanbase been receptive to you guys getting bigger/having to now  "share you" with the rest of the world? I know your release show back in March sold out at Great Scott, so I'm assuming Boston is wicked excited for you guys.


JF: “Oh yeah, I mean, internet sh** & more people interested and all that, it's really nice. Really grateful. I know there are bands that are way better than us that don't get the kind of external validation that we've gotten, so it just feels lucky and nice. & I think because it's been a reasonable and rapid-but-not-excessive ascent (or whatever), everyone's kept their heads and there's been no real backlash. Or maybe people are just polite or maybe I'm just oblivious. But I think everyone's just kind of jazzed on the idea of a local band getting a little bit of help & attention from the outside world. Boston loves its exports.”

D: Coke or Pepsi?











Tigerman WOAH Usher in Boston Calling Block Party Season

Earlier this week, Boston Calling announced the expansion of its summer Block Party series. In addition to the weekly Thursday evening events at Dewey Square (across from South Station), a monthly party has been added back in Downtown Crossing, the original site of the gatherings. All events will continue to feature cheap drinks (sponsored by Shock Top and Wicked Wines) and music courtesy of Boston-area musicians. The Downtown Crossing Block Party kicks-off tonight featuring Tigerman WOAH, with all subsequent events held on the first Wednesday of each month. The Dewey Square Party will launch May 14, with a performance by The Almighty Buck.

For more info about the Block Parties (and to see future performance schedules), check out the Block Party Facebook page.
-Dan McMahon (@dmcmhn)

Horsehands' Tape Release Show Set for May 9 @ Lily Pad

Horsehands’ latest creation, Pissing Rain, runs the sound spectrum from straight-up punk to electro-infused jams--and that’s just in the first two minutes of the EP. The vocals are reminiscent of some bizarre Bowie/Krill collaboration, which, after thinking about it for awhile, would be one hell of an idea. “Yon” was definitely my favorite of the songs--hard, fast guitarwork, complete with some pop-punk palm mutes and a bridge that seems to take off into the stratosphere before abruptly grabbing you by the collar and yanking you back into the mosh pit. I also appreciated the strategic placement of the synths/keys in songs like “Dinner Time!”--they provide well-timed accents, elevating the sound of the songs without overpowering the rest of the music.

If you’re itchin’ to get a physical copy of Pissing Rain, the band will be celebrating their tape release show on May 9th at Lily Pad in Cambridge, MA. For more info about the event, click here.

-Dan McMahon (@dmcmhn)



The Living Sleep Release Remnants

Remants, the latest album from Cambridge/Boston’s The Living Sleep, is one of the most calming, beautiful collections of sounds I’ve heard all year. The tracks that incorporate viola and cello are the most impressive, reminding me of a more modern, less-stuffy version of chamber music--something you’ll actually want to listen to for more than twenty seconds.

The piano melodies are wonderfully arranged throughout the entire record, each played more delicately and deliberately than the last. When accompanied by the strings (ex: “The Last Serenade”), the result is a soothing composition capable of dissolving even the most stressful of days.

For updates about The Living Sleep, check out their Facebook page.

-Dan McMahon (@dmcmhn)
Photo credit: 
Adem Dayıoğlu


Honeysuckle EP Release Show Tomorrow Night @ Out of the Blue Too in Cambridge

 “Josephine”, the single from Honeysuckle’s forthcoming debut album, Arrows, is everything that is right with folk and country music. The intro immediately drew me in; there’s something about banjos and mandolins that makes me exceedingly happy, but banjos and mandolins played together--beautiful.

Along with the instrumentation, the lead vocals on this song are powerful, yet smooth, sweet and sorrowful. The band’s generous use of harmonies and backing vocals makes “Josephine” a song worthy of several plays on their Bandcamp.

Honeysuckle will be having their release show for Arrows tomorrow night, April 29, at Out of the Blue Too Art Gallery in Central Sq., Cambridge. For more info about the show, click here.

-Dan McMahon (@dmcmhn)



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