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-- The 60's --
The 13th Floor Elevators
Janis Joplin
-- The 70's --
Stevie Ray Vaughan
Asleep at the Wheel
Willie Nelson
The Skunks
Townes Van Zandt
Guy Clark
Jerry Jeff Walker
-- The 80's --
The Dicks
Marcia Ball
The Butthole Surfers
Joe Ely
The Fabulous Thunderbirds
Nanci Griffith
-- The 90's --
Lucinda Williams
Arc Angels
Shawn Colvin
Alejandro Escovedo
Fastball
Jimmie Dale Gilmore
The Gourds
Robert Earl Keen
James McMurtry
Toni Price
Kelly Willis
-- The 00's --
Okkervil River
The American Analog Set
...Trail of Dead
Explosions in the Sky
Patty Griffin
Sara Hickman
I Love You But I've Chosen...
The Octopus Project
Okkervil River
Bruce Robison
Spoon
The Sword
What Made Milwaukee...
   


This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

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seattle

Prism Tats at Barboza for City Arts Fest on Friday

Photo Source: Prism Tats

Prism Tats is set to perform at Barboza this Friday, October 19th. Part of the week's City Arts Fest, the set will also feature Howlin Rain, Assemble Head in Sunburst Sound, and Fox and the Law.

A one-man project, Prism Tats inks out a passionate, minimal aesthetic that shimmers from the first strum. G Vanderkrimp - formerly the singer/guitarist for Seattle band Koko and the Sweetmeats - takes listeners for a fuzzy but spirited ride with his self-proclaimed "future garage trash pop." He has a hodgepodge of songs available to stream currently.

"Death or Fame," forms immediately and eagerly; the sweet-singing guitar stabs mesh well with Vanderkrimp's high-pitched, incandescent vocal style. The simple bass drum beat and supporting electronic effects are subtle and help anchor the snarling wails he breaks into later in the song.

"Lizard Scum" carries on its shoulders a more somber, secluded vibe. The chorus, though, is as melodious and ear-grabbing as many of Seattle's catchiest and inclusive folk bands. Here, the climaxes are always kept on a short leash without exploding into overwrought harmonies. Its armor of fuzzed-out pop has cracks; synthetic echoes and murmurs lurk nearby.

For one further example of 'trash pop' validation, "Vacant & Impatient" is a more straightforward, bluesy number that oozes with aliveness. It is catchy, dark, and urban - and very replayable.

Head over to Barboza on the 19th of October to catch Prism Tats accompanying a good lineup through and through. Tickets are $13 and doors open at 7pm. Listen to "Lizard Scum" below and visit his bandcamp to hear a handful of tracks. Whooping Cranes Records is releasing a debut 7'' on Nov. 20 for $6. Preorder here.

- Cameron LaFlam

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The Deli's NYC issue #32 is out, read it online!

The 32nd issue of The Deli NYC is out in the streets people, but if you don't like the streets you can still read it online here (flash version) or download it in pdf here.

Also, also! The Deli's Stomp Box Exhibit at Main Drag starts in a week - more info here.

The Deli's Staff




Fall 2013, NYC issue #32 (CMJ)
Read it here

 


Alex's Hand Release Debut EP, Playing Show at The Morgue

Photo Source: Alex's Hand

Alex's Hand are going to be performing at The Morgue, a DIY venue in Georgetown, on Oct. 27th with Zander Yates and Fang Chia.

Their self-released debut effort Madame Psychosis features the trio (now a foursome) grappling with a wild spread of musical flavors. The album name itself invites interpretations of conflicting sounds and desires; a veil of manners covering a unpredictable body beneath. Or perhaps the title is simply a fun play with words.

"Stalker" opens with possibly the most delicate passage of the entire EP. A softly strummed guitar, haunting piano chords, occasional ticks of sticks, a chime or two - and then wammo - a poignant pop song lurches forward that would not be out place in a circle of 1980's post-punk ballads. The guitar solo near the close foreshadows harsher reveries to come, while it bizzarely ends with a Captain Beefheart-esque collapse.

The second track "Laura" erupts with a metal-tinged reverberation, peeling into drum rolls and odd UFO noises. Its three-part structure is exceedingly catchy and becomes hopeless to erase from one's brain. Equally unsettling and groovy, this is prime evidence for Alex's Hand's penchant for avant-pop experimentation. Bonus points for writing a song that pertains to David Lynch's classic series Twin Peaks.

"Reception," features Kellen Mills' most convincing vocal performance. Arguably the best all-around written song on the EP, it offers something of value for most listeners' predilections: big sweeping guitar melodies, gentle whispers of piano, loud emphatic drums, and otherwordly, baritone vocals.

At last, the closer "Robot," a two and a half minute spill of crunchy mania. The song is effortless in its raw energy and gives the impression of being played off-the-cuff in one take. For fans of bass so fat you can sink your teeth into and '80s and '90's noise rock a la The Jesus Lizard and Big Black. And oh my, the feedback into guitar solo in the last minute: part metal, part progressive rock, part space groove.

Alex's Hand are playing live at The Morgue in Georgetown on Saturday, October 27th. Catch them there with doors at 8:30pm and music beginning at 9pm. Listen to "Laura" below and visit their bandcamp to stream all of Madame Psychosis. It is available through the webpage or in person at Easy Street Records and Sonic Boom.

- Cameron LaFlam

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Deli CMJ Shows 2012: Young Magic, Wildlife Control. EndAnd, Foxygen, Snowmine, Hundred Waters, Dynasty Electric, You Bred Raptors? + a TON MORE!!

 

We can finally announce The Deli's CMJ 2012 shows! All the links to the bands' music profiles are here. We booked 82 bands!!!

The Deli's Staff


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