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Artist of the Month
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-- The 60's --
The 13th Floor Elevators
Janis Joplin
-- The 70's --
Stevie Ray Vaughan
Asleep at the Wheel
Willie Nelson
The Skunks
Townes Van Zandt
Guy Clark
Jerry Jeff Walker
-- The 80's --
The Dicks
Marcia Ball
The Butthole Surfers
Joe Ely
The Fabulous Thunderbirds
Nanci Griffith
-- The 90's --
Lucinda Williams
Arc Angels
Shawn Colvin
Alejandro Escovedo
Fastball
Jimmie Dale Gilmore
The Gourds
Robert Earl Keen
James McMurtry
Toni Price
Kelly Willis
-- The 00's --
Okkervil River
The American Analog Set
...Trail of Dead
Explosions in the Sky
Patty Griffin
Sara Hickman
I Love You But I've Chosen...
The Octopus Project
Okkervil River
Bruce Robison
Spoon
The Sword
What Made Milwaukee...
   


This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

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scene blog

seattle

Seattle Alternative Folk: King Friday

Folk music has evolved over the past few years, particularly with the emergence of the indie scene, but it’s refreshing to find a band keeps to it’s roots. Seattle’s King Friday occasionally features a piano in their songs, but that’s as far as they stray in terms of instrumentation from their straightforward acoustic guitar fueled folk pop. Joe Bolton, Matthew Sweeney, and Alex Folkerth use this simplicity of sound to showcase their engaging lyrics, vocal dynamics, and harmonization. Their three albums, including their latest “Let Him at Cake (Songs for Birds)” are available for download here.-Lucy Sherman

 

 

 

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Song Sparrow Research at Cafe Racer 12/29

Playfully incorporating elements of jazz, folk, classical, rock, and pop, Seattle's Song Sparrow Research achieves harmonic unity through subtlety. Their use of guitars, cello, upright bass, electric bass, synth, glockenspiel, various percussion instruments, and vocals mixes electric with acoustic for a dreamy indie-pop quality. Though this band tackles many different elements and noises, their music is anything but cluttered, each instrument calculated into the song to harmonize with the rest. Song Sparrow Research has their newest, self titled album available online for purchase both digitally and on 12" vinyl. You can catch their next show in Seattle at Cafe Racer on December 29th. -Lucy Sherman

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The Blakes release video for "NARWHAL"

The Blakes released album "Art of Losses" this summer, which blends dreamy pop, electro-tinged rock, moody post-punk and lo-fi guitars mixed with big harmonies. They are now unveiling the video for “Narwhal, the first clip from their recent album, Art of Losses, check it out here - video-less song streaming below.

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Delicious Audio Feature: Foxygen and the Recording Process

We've never really been that much into revival music, until we heard Foxygen's "Take the Kids Off Broadway" (which was our Album of the Month in April 2012 - the band graces the cover of our Fall 2012 NYC issue). But is this revival music anyway? To a certain extend, it is, since the NYC/Olympia duo's references to the rock sound of the 60s and 70s are undeniable. But Foxygen's way to unfold songs that constantly evolve from one brilliant melody to another, their imaginative kaleidoscopic DIY production, and Sam France's vocal flair trascend influences to conjure up something that encompasses past and present to become timeless. We were curious to ask these guys some questions about how they record their music - you can find their answers on Delicious Audio.

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Toykoidaho Appearing at Comet Tavern This Saturday

Photo Source: Tokyoidaho

Tokyoidaho are gearing up for a weekend gig at The Comet Tavern on Saturday the 17th. Soft Hills and Kingdom of the Holy Sun are on the lineup too, with Boat headlining.

This trio's (plus live member Projectorhead bringing the visual oomph) last release was the September full-length Tokyoidaho. Take vocals a little reminiscent of Trent Reznor, throw them in a capsule with haunting guitarwork, rolling drums, and pulsing synths, and one may begin to grip the band's sonic protocol. But only barely.

Opener "Other Places, Other Places" navigates some seriously celestial terrain with its stargazing shoegaze. Warped sounds ebb and flow like a form of echo location as the beat stays steady with ghost-hits to spare.

"Oberheim Sunshine," contrary to its title, presents a darker vista than some of the tracks. The synth-work features more prominently. The singing is earnest and dramatic, revealing uncertainty about the days and nights to come. The song is neither sugar-sweet light or disturbingly morose, occupying a middleground content with curious exploration.

Their experimentation with shoegaze/pop/alternative rock spins routine categorizations through the blender. What plops out on the other end is not found in nature, certaintly. But neither does the music hail exclusively from the deep regions of space. Tokyoidaho's ability to bridge melody and weird aural delights deserves notice.

Check them out live on the 17th of November at The Comet. Tickets cost $8 apiece and the doors are at 8:30pm. Listen to "Oberheim Sunshine" and visit their bandcamp to stream their self-titled record and pick up a physical copy.

- Cameron LaFlam

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