Northern VA's heavy indie rockers Maybe Aviator released their much anticipated debut EP "I Used To Like Summer" last month (Jan '13) that pleasantly warms up our ears with a blend of Brand New & Death Cab influences.
Destined for residency on Warped Tour in the not-so distant future, these four dudes supply post punk infused rhythms, punchy lyrics ("You call out in defense that your friends are fucking dead"), hints of pop inlaid with slight syncopation, and overall a tight mix of somber and upbeat tones.
We are proud to announce that The Deli’s Best Emerging DC Area Artist of 2012 is Shark Week! The rock'n'roll quartet won by a hair with 0,006 points (i.e. 6 readers' votes) over metal group Warchild. Taking third place is the stylish, syncopated indie pop of More Humans.
Take a look at our chart of 61 DC Area area bands below. The highest value of votes came from our jurors, who included individuals involved in local music. This includes promoters, venue owners, press, record store owners, and other music experts. The remainder of votes was compiled by The Deli DC contributors, readers, and open submissions voted on by national Deli editors.
Congrats to everyone who made the list and thanks to all those who voted!
ARTIST
J
W
R
OS
TOT
1
Shark Week
5
0.009
5.009
2
Warchild
5
0.003
5.003
3
More Humans
4
0.01
4.01
4
Brett
3
1
0.003
4.003
5
Outputmessage
3
1
0.002
4.002
The Shirks
4
0.002
4.002
7
PLOY
2
1
0.077
3.077
8
Dance for the Dying
0.073
3
3.073
9
Teen Mom
3
0.042
3.042
10
Janel and Anthony
3
0.019
3.019
11
Lands & Peoples
3
0.014
3.014
12
Alma Tropicalia
3
0.007
3.007
13
Black Clouds
3
0.006
3.006
14
The Yachtsmen
3
0.003
3.003
Widows Watch
3
0.003
3.003
16
Dot Dash
3
0.002
3.002
Roomrunner
3
0.002
3.002
The Flying Eyes
3
0.002
3.002
19
Pianos Become The Teeth
3
0.001
3.001
Pluto and the Moon
3
0.001
3.001
Say Chance
3
0.001
3.001
22
Ilsa
3
0
3
Swampcandy
1
2
3
24
Mission South
1.5
1
2.5
25
Justin Jones
2
0.034
2.034
26
Ryful
2
0.025
2.025
27
Cigarette
2
0.02
2.02
The Mean Season
2
0.02
2.02
29
Batala
2
0.018
2.018
30
Wytold
2
0.009
2.009
31
Masked Superstar
0.003
2
2.003
Thee Lolitas
2
0.003
2.003
Which Magic
2
0.003
2.003
34
We Were Pirates
2
0.002
2.002
35
Charm Offensive
2
0.001
2.001
King Giant
2
0.001
2.001
Sick Fix
2
0.001
2.001
Silo Halo
2
0.001
2.001
The Tender Thrill
2
0.001
2.001
40
Alex Vans
1
1
2
Highway Cross
2
0
2
M.H. & His Orchestra
0.5
1.5
2
43
Ghost Hotel
0.5
1
1.5
44
Mirror Kisses
1
0.052
1.052
45
The WeatherVanes
0.048
1
1.048
46
The Young Rapids
0.043
1
1.043
47
Marian McLaughlin
1
0.041
1.041
48
Brooks Long
0.039
1
1.039
49
Enemy Insects
1
0.026
1.026
50
Sun Club
0.025
1
1.025
51
Pleasure Curses
0.019
1
1.019
52
Margot MacDonald
1
0.013
1.013
53
The Snowy Owls
1
0.005
1.005
54
A Sound Of Thunder
1
0.004
1.004
Fire and the Wheel
1
0.004
1.004
56
Secret Mountains
1
0.003
1.003
57
GEMS
1
0.002
1.002
The NRIs
1
0.002
1.002
The Silver Liners
1
0.002
1.002
60
Deathfix
1
0.001
1.001
61
Old Lines
1
0
1
Legend: J = Jurors, W = Deli Writers,
R = Deli Readers, OS = Open Submissions
With March 1 slated as the release date for their album Tree Houses, Baltimore's experimental pop Mothersday have unveiled some pretty striking compositions on their soundcloud that are an absolute must listen for fans of impecable lush and drone. Give "Champion" a listen below and simmer in humming bass. Then go check them out live at the Sidebar in Baltimore on 3/12/13. -Dawn
It's a quadruple showcase of locals this Saturday at the 9:30 Club, with NoVa's pop rockers Crash Boom Bang headlining and unveiling their new music video for the track "Save Me." Also joining them are DC electro hip-hop act ELIM, the unique soul infused dance project from DC's Adam E., and DC's Best of 2012 Emerging Artists submission winner Dance For the Dying.
And 9:30 Club wants to make sure you are there to dance your ass off to some killer local music. All you have to do is email us by 12 noon on Friday 2/8 and let us know what your favorite song is from any of the artists hitting that stage. Please include your first and last name for guest list requirements. The winner will be emailed back to confirm. Don't wanna risk missing out? There's still time to buy tickets before they sell out here! (photo by Jessica Edwards.)
The Deli DC's Best of 2012 Readers and Fans' Poll for local emerging artists is over, thanks to all those who cast their vote in support of the emerging local bands and artists in our list of nominees. Congrats to Swampcandy for being The Deli Readers' Best DC Area Artist of 2012. Kudos also to Mission South and Alex Vans who placed second and third.
Here's this poll's top 10 chart, full results can be found here.
ARTIST
VOTES
1
Swampcandy
853
2
Mission South
587
3
Alex Vans
269
4
M.H. & His Orchestra
87
5
PLOY
77
6
Ghost Hotel
76
7
Dance For the Dying
73
8
Mirror Kisses
52
9
The WeatherVanes
48
10
The Young Rapids
44
Stay tuned for the composite chart, to be released soon, which will include the point nominees accumulated from the jurors and Deli writers' votes, and will crown The Deli's Best Emerging DC Area Artist of 2012.
We've teamed up with 930 Club again for another awesome giveaway. Baltimore rock & soulers All Mighty Senators are opening up for the established N'Orleans group Cowboy Mouth this Saturday 1/26 at said venue. AMS has"toured the United States and Canada extensively. AMS released their first recordings under Baltimore indie Merkin Records before releasing four albums under their own Dog Eat Dog Records to both critical and popular acclaim."
There's still time to grab tickets here before it sells out. And meanwhile, we've got one set of passes to give out courtesy of 930! All you have to do is email usby 3 PM on 1/24 and let us know what your favorite Cowboy Mouth or All Mighty Senators song is. Please include your first and last name for guest list requirements. The winner will be emailed back.
(by Natan Press) Jan. 12, Pleasure Curses played their first gig at the Velvet Lounge to a packed room. The crowd head-bobbed, foot-tapped and drunken-jiggled through the entire set by the electro-punk duo of Jahn Teetsov and Evan Grice. Pleasure Curses is an example of the serendipitous circumstances that surround so many successful acts.
The Virginia natives first met in music camp as children, and reconnected after Jahn returned from college in Manchester, England (Evan is still attending JMU), absorbing the Madchester sound while playing in local bands. The young Pleasure Curses do the older Brits justice, mimicking the Northern sounds of the decade before they were born with the control and precision of true admirers. Harnessing the powers of a Korg, a Kaoss padd and the Abelton music sequencer, Pleasure Curses self-recorded their first EP Stripes.
For the show, Evan deftly handled the devices while playing his bass. Jahn’s voice channels Bernard Sumner, though at this point he’s a bit uncomfortable playing guitar while singing in a live setting. Despite this confession, Jahn’s an able frontman, speaking comfortably to the crowd, and singing as if well practiced. One assumes it won’t take long for him to add the guitar to his performance. Pleasure Curses is also looking for a drummer, though they’re legitimately worried that a third member could disturb their already effective chemistry. If the crowd at their first show is any judge, they don’t need to change a thing, and if they do want to increase their stage presence, they’ll have no difficulty finding willing participants.
DC Deli is happy to be collabing with the 9:30 Club again in making sure you get to see some of DC's best locals on one of the coolest stages in the city. And as you know, Thievery Corporation is a always a hot ticket, with mulitple nights selling out on a regular basis whenever their tours bring them back through home.
If you haven't already gotten your tickets here to the electronic madness, now's your chance to score a spot on the list for the Friday 1/18 show! All you have to do is email us and tell us what your favorite Thievery Corporation song is and why by 3 PM on 1/17. Please include your first and last name for guest list requirements. The winner will be emailed back.
(by Natan Press) Baltimore’s Andy Bopp is one of the city’s true treasures; a pop-song magician on par with Matthew Sweet and Jon Brion, the artistic progeny of Alex Chilton and Paul Westerburg , a high priest of Ray Davies and Paul McCartney. He’s perhaps best known as the one man band Myracle Brah, a project that has so far generated 7 exquisite albums between 1998 and 2007.
Andy’s first band, the energetic Love Nut, caught the ear of Interscope records and released Bastards of Melody, which, along with the likes of Sloan and Fountains of Wayne, made post-punk power pop the next big thing (or so we hoped). The majors thought otherwise, no doubt, and Love Nut’s second album, Baltimucho! was almost lost in some basement in Santa Monica until it was finally released by the much smaller Big Deal Records in 1999.
More recently, in 2011, Andy and his new-yet-now-also-defunct band Alto Verde released Paper Clips, or what Weezer would sound like if Rivers Cuomo was obsessed with Alex Chilton instead of Brian Wilson. It’s a shame Alto Verde will not be releasing any new songs in the near future. The same can be said for Myracle Brah. What are Andy Bopp’s fans supposed to do? We got in touch with Andy to find out, click here for more on that...
Baltimore’s Andy Bopp is one of the city’s true treasures; a pop-song magician on par with Matthew Sweet and Jon Brion, the artistic progeny of Alex Chilton and Paul Westerburg , a high priest of Ray Davies and Paul McCartney. He’s perhaps best known as the one man band Myracle Brah, a project that has so far generated 7 exquisite albums between 1998 and 2007.
Andy’s first band, the energetic Love Nut, caught the ear of Interscope records and released Bastards of Melody, which, along with the likes of Sloan and Fountains of Wayne, made post-punk power pop the next big thing (or so we hoped). The majors thought otherwise, no doubt, and Love Nut’s second album, Baltimucho! was almost lost in some basement in Santa Monica until it was finally released by the much smaller Big Deal Records in 1999.
More recently, in 2011, Andy and his new-yet-now-also-defunct band Alto Verde released Paper Clips, or what Weezer would sound like if Rivers Cuomo was obsessed with Alex Chilton instead of Brian Wilson. It’s a shame Alto Verde will not be releasing any new songs in the near future. The same can be said for Myracle Brah. What are Andy Bopp’s fans supposed to do?
Thankfully, a new project has emerged, taking Andy Bopp’s writing chops in heretofore unforeseen directions. On the surface, the country-rock of the Bleaker Street Cowboys does not much resemble Andy’s familiar modern power pop. The songs are full of bare bleach-boned vintage guitars, snappy drums, and harmonies rich with machismo and twang. The album rides the range from the barn-stompin’ “Bumpy Ridin” to the smooth rockabilly sounds of “On My Way” (hints of Orbison, or perhaps Chris Isaak, with guitars swelling in reverb around a soulful croon), taking the listener across a fruited plains worth of Americana along the way.
Andy has seemingly switched influences from the Beatles’ progeny to the Beatles’ progenitors. Why? “’Cause I’m 51,” says Andy, “and I wanted to go with something that I felt was timeless where when I’m 75 I can still be playing country.” The eponymous album is subtitled New Songs for the Old Country Soul, but it isn’t a mellow album. The sound is electric, and though those sounds may be of an old style, that style was famously created and made popular by hillbilly teenagers. “I always loved rockabilly guitar,” says Andy. “In the 80’s, when I was in a cover band, and we would be playing, like, Stray Cats and stuff, I was totally into that.” Since those early cover band days, Andy’s had a number of country and rockabilly experiences with other projects, and decided he could do better. With his talented friends Chad Hopkins (vox, guitar), Joey Salvia (bass, frontman for the Montgomery Clifts from Dallas –“it’s commercially better to say we’re from Dallas”), and Nick Bertling (drums), he set out to make an album that was “pure energentic authenticity…Like jumping into a sonic time machine, when the likes of Sun Records ruled the airwaves.” In my opinion, he succeeded (you can decide for yourself; the album is currently available online).
So, are we saying goodbye to Andy Bopp’s blissful power pop? Well, Andy is working on another new project, The Modern Ruins, in which he plays a baritone Telecaster, and the drummer plays a cocktail kit. “We have an EP coming out,” explains Andy. “It’s in-between the Bleaker Street Cowboys and Myracle Brah and Alto Verde. So it’s heavy, and there’s one song that’s country and there’s other songs that are almost like Creedence. So I kinda bridged all three with that.” I can’t wait.