x
Artist of the Month
the_deli_magazine
  • local channel
  • local charts
  • show listings
  • studios
  • submit
  • submit
top local artists
br spin
 
deli cover

 

 



-- The 60's --
The 13th Floor Elevators
Janis Joplin
-- The 70's --
Stevie Ray Vaughan
Asleep at the Wheel
Willie Nelson
The Skunks
Townes Van Zandt
Guy Clark
Jerry Jeff Walker
-- The 80's --
The Dicks
Marcia Ball
The Butthole Surfers
Joe Ely
The Fabulous Thunderbirds
Nanci Griffith
-- The 90's --
Lucinda Williams
Arc Angels
Shawn Colvin
Alejandro Escovedo
Fastball
Jimmie Dale Gilmore
The Gourds
Robert Earl Keen
James McMurtry
Toni Price
Kelly Willis
-- The 00's --
Okkervil River
The American Analog Set
...Trail of Dead
Explosions in the Sky
Patty Griffin
Sara Hickman
I Love You But I've Chosen...
The Octopus Project
Okkervil River
Bruce Robison
Spoon
The Sword
What Made Milwaukee...
   


Welcome to the new Deli Charts, organized by genre and scene.

To rank the artists with the star system go to the Top 50.


Cancel

scene blog

Crypt Trip’s latest EP Mabon Songs, their first release since their self-titled debut album, is filled to the brim with sound, featuring two heavy psyche rock jams and a soulful guitar track. This band, consisting of Sam on bass, Cam on drums, and Ryan guitar, has perfected the craft they showed on their eight-track debut album, and has delivered three new energized tracks on this newest release that is very much worth a listen. Each band member shows off their skills and passion for hard rock over the three tracks, as the vocals layer on top of the rich guitar sound and clear-cut beat. This perfect three-track mix of 70s-influenced rock leaves you looking for more when it ends, so click ‘Play’ and hear Crypt Trips’ newest work below.

--

Chandana Kamaraj

July 28, 2016
|

Mamahawk is one of the Austin music scene's emerging gems, a deeply soulful band that meshes bright electronics with warm, thoughtful vocals and acoustic elements to create some of the prettiest and more relaxing indie music to come out of the city in a long time. Today, we're beyond excited to be premiering this up-and-coming act's new video for the gorgeous 'Reset,' a melancholic video for a track from last year's self-titled album, and, according to the band, the video 'explores the push and pull relationship between our animalistic, primal urges and our societal conditioning.' As Mamahawk says, 'It is a call to simply be still and feel the life inside and around us, if only for a moment. Embracing that raw, instinctual side of ourselves may be the only way to truly be free in this world.'

It's a video that puts its own intriguing spin on the trope of the man stuck in a cubicle who yearns for the freedom of wilderness, and locals will note a good amount of Austin-area locations, such as Plaza Saltillo and a particularly striking shot at the border of the forest still devastated by the Bastrop forest fires of the last few years.

The video is immensely relatable for anyone living the modern grind, tenderly channeling the ideas of being a wild being trapped in a static, constricting contemporary world into the symbol of a literal hawkperson (more specifically, a business hawk/person), and the thoroughly gorgeous music is a nice counterpoint to the initial bleakness of the video. As the narrative unfolds, the idyllic sound accompanies the rising action fittingly, and the emotional payoff here is solid.

This video should do a lot to bring Mamahawk's glimmer to a larger audience, and in fact, you can see the whole thing live as part of one of Mamahawk's sets tomorrow July 28 at their Mohawk show, which also includes such great local talent as Yuma, Shapescenes, The Khost and Chill Russell. Give the video a listen below, and if you like what you hear and see, find your way to Mohawk tomorrow for what promises to be an excellent night of music, or check out the full album at their Bandcamp here.

July 27, 2016
|

Heartbreak Bugaloo (Skeleton Farm Records) marks the first collaboration of two talented artists: Aaron Behrens (Ghostland Observatory) a vocalist, and the guitarist, Jonas Wilson (Lomita, The White White Lights). Together the duo is known as The Midnight Stroll, previously 'Aaron Behren and The Midnight Stroll,' and these two artists- who have previously worked in everything from EDM to glam to bluesy indie to pop- have come out with one excellent creation of contemporary rock n’ roll this time around.

What makes this album clearly distinctive is the dramatic and emotional vocal work complimented by discordant guitars. The tunes laid out by Wilson’s heavy playing are successfully attention grabbing and allow the range of the vocals by Behrens to shoot out in different directions and play over the octaves, being especially dynamic in 'Losing My Mind' and 'Just Hang On.'

The emotional eight track album is perfectly summed up by the final track, 'Sparkle and Fade': here the rock duo adds in a piano bit with stripped vocals that eventually raise into a cathedral-filling, crescendic feel, at last expressing all that sadness you’ll have accumulated by the end of Heartbreak.

It’s quality rock music from two of Austin’s most respected, and enough to earn them Artist of the Month for June here at The Deli Austin, so listen below to ride through this emotional roller-coaster.

--

Chandana Kamaraj

July 12, 2016
|

After their synthesizer-heavy debut single “Pockets,” Roaring Sun have taken a different route with their latest single, “Racecar”. This indie “boy band” made up of brothers, Doran and David Rawlinson, Ricky Acosta, and Eric McKeefer, have released a single that will sure be the highlight at a live show, starting by slowing down the piano bit in “Cold Cold Man”, by Saint Motel and then continuing with a mellow raw tone layered with harmonies and a guitar. It’s a bit reminiscent of the slow melodies from Young the Giant’s album Mind over Matter, but just when you think this all seems too familiar, Roaring Run brings in a fresh feel and pushes the song to a new and interesting path with a unique beat on the drums and some warped melody fun.

The entire combination is bound to get you thinking of susnset evenings of music festivals and dancing, so if that strikes your fancy (as it certainly will for many in Austin), listen below!

--

Chandana Kamaraj

July 12, 2016
|

“Loud songs for good and bad days” is the sole biographical information available on Planet Manhood’s (a.k.a. Sam Houdek’s) social media accounts, and though it’s one of the briefer bios you might run across, it’s also the most accurate. If you’re on the hunt for a meditative-yet-grungy record to accompany you through the long, hot nights (both those bad and those good), look no further than Planet Manhood’s most recent endeavor, the EP Mistake House.'

Drawing influences from Superchunk, Pavement, and Built to Spill, Planet Manhood falls somewhere between grunge and classic rock, while never quite becoming either. The mysterious cover art for Mistake House was done by Boston-based artist Kelly Kikcio, a feminist artist whom Houdek came across from a stick-n’-poke tattoo she gave to a friend, an image that Houdek gravitated towards because it seemed so incompatible with the hyper-masculine name of Planet Manhood.

Though each of the five songs on Mistake House is dispatched with a heavy dose of guitar distortion and lumbering drums, underneath the fuzziness lies remarkably gentle snapshots of the subtleties in human relationships, as Houdek sings quiveringly, “I like your backpack, is it burlap? Are you feeling like an outcast?” After attending UT and bouncing between multiple jobs, including booking shows, cleaning pools, guitar teching and working in multiple bands, the artist seems to have genuinely hit his stride with Planet Manhood, including departing for a tour of the Southeast a couple of days after dropping Mistake House on June 10.

If you’re in the midst of a bad (or good) day, hit play below for a loud song that might also make you feel a little bit more understood.

--

Katy Kirby

July 12, 2016
|

Reigning Austin odd pop champions and 2014’s Deli Austin Artist of the Year Holiday Mountain are back to whack you upside the brain with a new and ultra-colorful music video that’ll get your summer party going. The vid, for new hard-dancing quirky ass pop song ‘Cómo Te Llamas,’ is all future fashion, exaggerated butts ‘n boobs and Holiday Mountain lead Laura Patiño using her trademark voice to ask what your name is while heading a troupe of brightly bedecked dancers (clothes designed by up-and-coming Austin fashion house Witchxxdoctor) through a surreal J-pop infused world of fun that has been put together by director Brittany Reeber. Holiday Mountain has been cemented as one of Austin’s groups most willing to flirt with pure pop music, while also being one of the acts most willing to push creative boundaries, and as you’ll see below, they’re still driving hard in that lane here in the middle of 2016. Get your weird on below, y’all.

July 12, 2016
|

aom

New Poll Coming Soon!

[sponsored by]



 

- news for musician and music pros -
   
 

 

AUSTIN SHOW LISTINGS