Year End Best of Austin Readers' Poll - Final Top 10
Podcast, NEW YORK CITY's INDIE ROCK MAGAZINE, NEW YORK CITY ROCK MAGAZINE, NEW YORK CITY ROCK SCENE, ROCK FROM nyc, ROCK FROM NEW YORK CITY, NEW YORK CITY ROCK, ROCK IN NEW YORK CITY, NYC INDIE ROCK BANDS FROM NEW YORK, BEST BANDS FROM NYC
The champs play Beauty Bar this Friday (along with Buttercup, Ideal Soul Mart and Bear Bones). International Waters recently returned from the Cavern in Dallas and are slated for the Mohawk this Feb. 11th, and the Sour Notes, who just dropped their fourth album It's Not Gonna Be Pretty on New Years Day, will also play the Mohawk on Jan. 28th. Get out and see how they earned the top spots.
Thank you deli, for the nomination of this band and your Austin artist(s) of the month choice! We are sincerely grateful.
Fans and friends of STEREO IS A LIE...Thank you for your support as always. We will see you on Friday at the Beauty Bar!
Thanks to everyone who voted in this reader poll . With only one vote allowed per IP address, these polls really do need support from legitimite fans , cheers to everyone for chipping in
Cavedweller
The Best Version of Gloria Ever There Was
Operating on the mellow fringe of Austin’s always healthy psychedelic scene, Cavedweller has quietly put together some of the most fascinating work in town, including our newest choice for CD of the month: The Best Version of Gloria Ever There Was. This isn’t a new album; it’s just one we feel deserves digging back up, because it never received anywhere close to its due.
Cavedweller, aka Dirk Michener, kicks the album off in typically understated style with “A Horse and A Man,” a creaky, timeless song that showcases his weatherbeaten voice. There’s plenty going on in this voice: cracks and rumbles that hint at wisdom, but also just the slightest sense of amusement, and occasionally, behind the resignation, a little bit of swagger. That swagger comes the front more on songs like “Augusta, Ga.” and the immediately appealing and memorable “Black Black Magic”, where he filters Marc Bolan through Tom Waits. But even on the more mournful numbers the various never-quite-meshing emotions evident in his voice raise his music far above ordinary.
Literalists may struggle with the fact that there is no version of Gloria included on the album...we’ll take votes on what he means by that.
There is, of course, a dreamy, druggy feel to the whole thing (his myspace page, under influences: “most of the time”), and a lo-fi recording style that would fit right in the Nuggets compilation, all of which lead to the psychedelic designation. But that label tends to sell short the songwriting...these are just excellent songs, songs you could cover in any number of ways and come up with gold. It’s all off-kilter and the lyrics are surreal, but that’s also true of probably the best music of the last forty years.
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